Formed initially as a ceramist, Pere Noguera (La Bisbal d'Empordà, 1941) bases his work on research on the materials and their properties and mutual interactions, as well as on the respective processes of degradation and their contextualization in the " space.

Thus, 'rusty' papers, faded objects or metals degraded by the effect of water inevitably refer to landscapes of chromatic unified elegies for the passage of time and progressive oxidation.