The desire to liberate nonconformist attitudes represents a starting point in the work of Guinovart. The agitation of the everyday, is an exhibition focusing on the figure Guinovart that explores the absence of reasoning capable of influencing events and unpredictable simple: namely, to address at all times that has the ability to believe in what that is performing beyond a profitable research outside the collective acceptance. These actions may seem irrelevant, Guinovart the work becomes.

To develop this dialectic we have divided the exhibition into two areas necessary to differentiate temporary spaces that each party will be. `The first division deals with a more extensive and extends until the next October, a proposal offering that intends to turn confrontation, dialogue and new uses of the work of Guinovart. The second area, with a smaller temporary (until April 10) is located in the temporary exhibition room and explores the more personal and everyday concerns of the artist.

Individual Utopia: 27 paintings, 3 galleries, 100 cm or 1/299.792.458 second.

The work is part of a Guinovart idealities of clothing, life experiences of a great attitude and energy. Under this scene without losing its role in expanding artistic Guinovart has done in his career, we explore a new dimension in painting by the artist in this act as thread, which desvetllarà a device reinterpretation of his intense and continuous work. The structures have been created and reviewed in the work of Guinovart, can cause unexpected reactions, and complicity surprising dialogues impossible if we introduce in other contexts and meanings. The Poetics of Aristotle writes: "In simple incidents and actions, the poets come to its purpose admirably," and in this area is where Guinovart composed his dialogues more poetic and utopian. Faithfully following the proposed title, and under this point, the proposal is in a stage and a convergence around two concepts at work in ironic art: unit utopian exercise such an event between fiction and criticism on this , and symbolic interpretations of the tireless effort of the artist in search of reality. In this sense and with the recurring motif that Guinovart refused any flag styling and accommodated, the flexivilitat discourse lies in every inch of this work will in the course of the three galleries which is the same temporal distance that light traveled in gap in this range, an intuitive exercise that desenvoca a fictional reality, a entrecreuamnet roles and functions deriving from a poetic attitude and hardly possible to suggest new concepts and ideas about research and tireless efforts of artist.

Guinovart bequeathed Monday.

With this a newspaper headline announcing the arrival of Venezuela's exposure Guinovart in this country during the eighties. Expectations of receiving a well-known artist in his country closer to an event almost visionary of sport or even political.

"Painting is not to make the hundred meters," says the artist in a recent interview published in less-more possibility of error, but it saves you from these mistakes is practice. Guinovart and does not usually fail to show up in a close, usually pursuing a narrative subjetiva which confront and prove himself an artist of social functionality. In this case, however, have seen fit to show a face hidden aspects, experiences and personal almost intimate moments spent Guinovart as something only done by him and for him a very intuitive, a kind of enthusiastic conviction , almost similar to that in the diary of Venezuela used to announce his arrival.